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quizScore_8D59FFA8_9C1B_9BA5_41A2_D02E624294BB.submitToLMS = Submit quizScore_8D59FFA8_9C1B_9BA5_41A2_D02E624294BB.elapsedTime = Time ### Score Name score1.label = Inicijalizacija ### Timeout Screen quizTimeout_8D5D6FA8_9C1B_9BA5_41C7_01CFB43C2826.title = - TIMEOUT - quizTimeout_8D5D6FA8_9C1B_9BA5_41C7_01CFB43C2826.repeat = Repeat quizTimeout_8D5D6FA8_9C1B_9BA5_41C7_01CFB43C2826.score = View Score ## Hotspot ### Text HotspotPanoramaOverlayTextImage_32E71B6B_0BE7_EFE2_418E_C3B943658908.text = Auto Camp Ljubanista HotspotPanoramaOverlayTextImage_035B7BB2_1A49_1C8B_41B9_9D7E42882CEB.text = CITY PALACE Hotel HotspotPanoramaOverlayTextImage_327417D9_0A23_A72E_417E_CA53C4E33BF1.text = Church St. Mother of God HotspotPanoramaOverlayTextImage_30A4DF9D_0A24_A726_4196_3B6CCFEC5B59.text = Church St. Petka HotspotPanoramaOverlayTextImage_170647FC_0A65_66E6_419E_C586ED13969C.text = Hotel RIVIERA HotspotPanoramaOverlayTextImage_129455C8_0A65_9B2D_4180_CEC5551FA520.text = Hotel SU HotspotPanoramaOverlayTextImage_13982756_0A5D_A725_41A1_ECE294743419.text = Hotel TINO HotspotPanoramaOverlayTextImage_0D5F1D1E_19F7_35BB_41B5_12377DEE5640.text = LEBED Hotel HotspotPanoramaOverlayTextImage_0D036D28_19FF_1587_4188_EF925A637AF0.text = MILENIUM Hotel HotspotPanoramaOverlayTextImage_00EDC229_1A4B_0F99_4190_F15D01401899.text = MIZO Hotel HotspotPanoramaOverlayTextImage_30B0B6E2_0BDC_991D_4190_EB3EE56F470A.text = Monastery St. Naum HotspotPanoramaOverlayTextImage_3D31F453_1A98_DBD1_41AD_BE580AD59063.text = SPRING HotspotPanoramaOverlayTextImage_30F65C34_0A2C_A966_4197_351EAB6D22BD.text = Springs HotspotPanoramaOverlayTextImage_0B629DCB_19C9_1499_418E_4DC25FD65A42.text = UNIQUE Hotel HotspotPanoramaOverlayTextImage_3E825518_2906_6350_41B5_BBC8B5C59C6F.text = Upper Gate ### Tooltip HotspotPanoramaOverlayArea_92074313_8968_3F4F_41D4_F6BDE91709FD.toolTip = 360° VIDEO HotspotPanoramaOverlayArea_922BC43C_8968_19B9_41C9_5C9801498901.toolTip = 360° VIDEO 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HotspotPanoramaOverlayArea_170607FC_0A65_66E6_4199_DB0424B5E96C.toolTip = Make reservation HotspotPanoramaOverlayArea_0D5F5D1C_19F7_35BF_419D_AE810608717D.toolTip = Make reservation HotspotPanoramaOverlayArea_1295C5C8_0A65_9B2D_4189_E69A396F8231.toolTip = Make reservation HotspotPanoramaOverlayArea_8A987BD9_8570_B518_41B5_F011B76EFB76.toolTip = Monument St. Clement HotspotPanoramaOverlayArea_952F3981_8571_95E6_41B6_AC5CD96EAC96.toolTip = Monument St. Naum HotspotPanoramaOverlayArea_8F4C7BAD_9A3E_01A4_41E0_0E8747D4E235.toolTip = Ohrid HotspotPanoramaOverlayArea_5437CB15_4F9E_B32F_41C0_B49C9214A1A9.toolTip = Ohrid HotspotPanoramaOverlayArea_2EBCB08D_1B88_DB31_41A8_246779465FDF.toolTip = Open video HotspotPanoramaOverlayArea_8288C6A0_9A3E_025D_41C2_B58E9B62D01B.toolTip = Peak Magaro @ Galicica HotspotPanoramaOverlayArea_5820BAC8_20B3_0652_41B6_5936EF0BA20B.toolTip = Plaoshnik HotspotPanoramaOverlayArea_DAD91E26_8B18_6035_41BE_1CC8883C4E74.toolTip = Plaosnik 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HotspotPanoramaOverlayArea_12AA4F01_330C_EC47_4185_51CA4D5DFE35.toolTip = St. Clement Ohridski Monument HotspotPanoramaOverlayArea_BACC9D91_8928_2B4B_41C7_065F9C8B0460.toolTip = St. John the Theologian HotspotPanoramaOverlayArea_4A32BDC4_20F3_0252_4199_529EF0C8FBC0.toolTip = St. Naum Complex HotspotPanoramaOverlayArea_BAAB005A_9A3A_1EED_41C4_98882F0E3B24.toolTip = Struga HotspotPanoramaOverlayArea_24C61E42_330C_ACC5_41A1_E571B5559845.toolTip = To Ancient theatre HotspotPanoramaOverlayArea_198855BF_3305_5FBB_41AC_2DDAB1696481.toolTip = To Ancient theatre HotspotPanoramaOverlayArea_2C3D5993_3304_B44B_41C7_24C510F600B9.toolTip = To Church Holy Mary Perybleptos HotspotPanoramaOverlayArea_2C95BC45_333C_ACCF_41B1_2BAEA09AFDC4.toolTip = To Church Saints Constantine and Helen HotspotPanoramaOverlayArea_2BE498D4_330D_D5CD_41BB_6024276A0567.toolTip = To Church St. Sofia HotspotPanoramaOverlayArea_0785E17A_34FB_54C5_4179_2982A8144ADC.toolTip = To Church St. Sofia 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Label_098ED9ED_3E5F_D235_41A0_E54421A8591A.text = St. NAUM Complex Label_AFA1BEDD_B5D5_7D6D_41E0_1C0BE902542E.text = St. Naum Complex Label_22BB32F4_3075_D173_4191_C8B45B85DEB8.text = {{subtitle}} Label_22BB32F4_3075_D173_4191_C8B45B85DEB8_mobile.text = {{subtitle}} ### Multiline Text HTMLText_37082C43_254D_10AB_41C1_2661D077DEFA.html =
360° VIRTUAL TOURS
ACROSS N. MACEDONIA
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BILJANA'S SPRING


Biljana's spring its a source of water in Ohrid,
best known for the legends associated around it.
Biljana's spring is actually the overflow of water in the pool that is underground, above the openings where it flows. One part of the pool is used for the needs of the water supply system in Ohrid, the second part for the needs of the Hydrobiological Institute for artificial breeding of fish juveniles. Once those needs are met, the excess water pours over the openings as Biljana's spring.
HTMLText_3D4A24AB_2555_11E4_41BF_A535ECA10E57.html =
360° VIRTUAL TOURS
ACROSS N. MACEDONIA
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BILJANA'S SPRING


Biljana's spring its a source of water in Ohrid,
best known for the legends associated around it.
Biljana's spring is actually the overflow of water in the pool that is underground, above the openings where it flows. One part of the pool is used for the needs of the water supply system in Ohrid, the second part for the needs of the Hydrobiological Institute for artificial breeding of fish juveniles. Once those needs are met, the excess water pours over the openings as Biljana's spring.
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Old Part of OHRID


From here you can see the largest church of St. Sophia, and many other smaller churches, ancient theater, Dolni Saraj, and on the top is the fortress of Tsar Samuel.
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OHRID


The largest tourist center - after the capital Skopje.
Due to the large number of churches and monasteries, the city is known as the European Jerusalem.
Its ancient Roman name is Lychnidos.
The Ohrid region is a UNESCO World Heritage Site.
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Early Christian basilica at the site "Manchevci"


The basilica, which is one of the nine basilicas in the city and originates from the 4th-5th century BC, has a pretty preserved floor mosaic with a decorative arrangement that was characteristic for the 4th and 5th century. Particularly significant stands the mosaics field with a donor's inscription that mentions Thomas and John, who probably built the facility.
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Fortress of Tsar Samuel


With its ramparts and fortified towers the fortress occupies the entire Ohrid hill which rises to 100 meters above the level of the lake.
Throughout history, the fortress has been destroyed many times, rebuilt and upgraded, throughout all historical epochs - Romans, Byzantines, Slavs and Ottoman Turks.
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Source: Vikipedia...
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Source: Vikipedia... https://mk.wikipedia.org/wiki/Црква_„Св._Софија“_-_Охрид
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Antique Theater



Antique Theater is located at the foot of the eastern slope of the higher Ohrid hill, under Samuel's Fortress, near one of the main entrances to the fortified city-the Upper Gate, from where one captures the unforgettable view of the lake and the mountains that surround it.


It was built more than two millennia, sometime at the end of 3rd or the beginning of 2nd century during the late Hellenism and was intended for plays, musical and poetry performances for the lovers of theater art.


It was built the according to the look of the famous Greek stone buildings of this kind, with rich architectural decoration, especially on the theater building which was decorated with a frieze of bas-relief tablets with carved scenes from the life of the gods. Two such marble slabs, which are today kept in the Ohrid Museum, present the god Dionysus in the company of the Muses.


Some of the contemporary urban notables had prepaid their own seats in the theater and so today we learn about Crispus and Topos as big fans of the theater art because their names still stand carved in stone blocks of the seats. Immediately after the Roman conquest of this region in 148 BC, the theater, probably in a remarkably short time, was adapted to the needs of the Roman way of life. The building was transformed into a theater space with arena for gladiatorial fights and fights with wild beasts for which few of the lower rows of seats were demolished and in their place were built several cages for animals, and the orchestra and honorary seats were surrounded by a protective wall. Later in the upper, outer zone was built epiteatron and the capacity of the theater rose to 5.000 spectators.


It is thought that with the euphoria that occurred at the beginning of the 4th century AD, when St. Erasmus from Antioch, the first Christian missionary arrived in Ohrid, converted to Christianity 25,000 people, all pagan buildings in the city were destroyed. Most probably in these demolitions suffered and the theater, while the material of its seats and other objects later was used for building early Christian basilicas and many other sacred and profane objects.


The first assumptions that in ancient Lychnidos (today Ohrid) existed theater, gave Russian art historian Nikodim P. Kondakov at the beginning of 20th century, and already in 1935, when the first archaeological excavations have been performed, those assumptions were confirmed and the theater was partly uncovered. Later, during the excavations carried out in the period 1959-1960, was determined the exact location and size of the theater.


The systematic excavations, started in 1977 and after a lapse of six years continued in 1984, discovered the locations of the entrances and the theater building, the orchestra with the honorary seats and the arena and nine rows of seats were uncovered.


During 1999, the project for its full uncovering and revitalization and since 2001, after twenty centuries, theatrical, musical performances and various other events are performed on the stage of the reconstructed open space of the ancient theater.
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Church St. Sophia



A cathedral church St. Sophia in the old part of the city of Ohrid is dedicated to Christ as Divine Wisdom. This church is one of the most important landmarks in Macedonia with its medieval architecture and frescoes.


This is one of the largest medieval churches in the area. For a long time it was the cathedral church of the Ohrid Archbishopric, which extended its ecclesiastical authority to the territory north of the Danube, to the Albanian coast to the west and to the Gulf of Thessaloniki to the east.


In addition to its importance as a landmark, the interior of the church and its courtyard and colonnade are an important place for cultural events such as concerts and plays.


In the second half of the 15th century, the church was converted into a mosque and then major changes were made. All the frescoes were covered with lime, the church dome was whitewashed and flattened, while the old altar marble partition with plastic decoration was removed, and from the marble in the nave to the southwest a mimbar was erected, and above the northwestern cubes 1 minaret was erected. ]


In the middle of the 19th century, the prominent Russian Slavist Viktor Grigorovich stayed in Ohrid. An epochal discovery of the Slavist Viktor Grigorovich was the discovery of the manuscripts of the "Extensive Life" for St. Kliment Ohridski from the Ohrid Archbishop Theophylact from the XII century and the Short Biography of St. Clement of Ohrid by Archbishop Dimitrij Homatijan from the 13th century in the Ohrid church of St. Mother of God Peribleptos.


During 1912. was used as a weapons depot.


mmediately after World War II, measures were taken to preserve this monument from further collapse. In 1949, the frescoes, which had been whitewashed by the Ottomans, began to be cleaned. At the same time, they were copied for the exhibition "Medieval Art of the Peoples of Yugoslavia", which took place at the Chajo Palace in Paris.


During the systematic work conducted by the experts of the Institute for the Protection of Cultural Monuments of Macedonia, which began in 1951 and ended after six years, all the frescoes and the same protected from further collapse were discovered. They were removed from the south wall according to the latest conservation methods used in Italy.


With the help of special rams they were brought back to their places. This removal of the frescoes was necessary so as not to damage the return of the south wall, which was tilted 60 cm, so that there was a danger of its collapse. The return of the wall was done in 1953 in the most modern way.


The frescoes were cleaned and preserved, and architectural work was carried out. The frescoes of this church were of top achievement in medieval painting in Macedonia and beyond. That is the time when Ohrid was under the direct rule of the Constantinople Patriarchate. These are the most important preserved parts of Byzantine monumental painting. The painter of the fresco, Archbishop Leo, one of the most educated people of the time, directly influenced the choice of compositions painted in the 11th century.


The interior of the church is preserved with its frescoes from the 11th, 12th and 13th centuries, which represent the peak of Byzantine fresco painting in its time. The main part of the church was built in the 11th century, while the external renovations were built by order of Archbishop Gregory I in the 14th century.
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Dolni Saraj



Dolni Saraj was built in the early 18th century and was once the summer residence of Xheladin Bey, who built it for his beloved slave Tashula.


The first water supply system, the so-called "Copper Bridge". - There is an inscription on it that reads "Ivan 2 May 1802" when it is assumed that the water supply was made. From there, water was brought from the lake to the fountain and to "Dolni Saraj".
The ramparts around it date from an older period.


Today it is a summer stage where festivals, concerts and other cultural events are held.
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Early Christian basilica at the site "Manchevci"



The site "Manchevci" was partially explored during 2007 when two objects were removed. After the archaeological excavations at this archaeological site in the old urban core of Ohrid, an Early Christian basilica was discovered , more precisely parts of northern and central nave when about 200 m2 were explored. The site is located near the Cathedral of St. Sophia, on the direction to the ancient theater, in a densely populated part of the old city and probably extends under the surrounding houses.


The basilica, which is one of the nine basilicas in the city and originates from the 4th-5th century BC, has a pretty preserved floor mosaic with a decorative arrangement that was characteristic for the 4th and 5th century. Particularly significant stands the mosaics field with a donor's inscription that mentions Thomas and John, who probably built the facility. There were also discovered fragments of frescoes in the lower sections of the walls. During the archaeological excavations very significant elements and fragments of the marble architectonic and decorative sculpture were revealed.


The project for conservation and presentation of the discovered structures of the basilica at the site have continued several years in row, and the realization of the planned activities were conducted by NI Institute for Protection of Monuments of Culture and Museum-Ohrid. In the period from 2011 to 2013 protection from land sliding of the ground profiles with construction of retaining walls and their cladding with stone was made.


The maximum restoration interventions were performed within the design solutions, by performing anastylosis of the columns and partial reconstruction of some elements of the carrying construction for which we had reliable data. Authentic materials, taking into account the opus of the masonry were used for the conservation.


Simultaneously the preserved structures of the basilica were consolidated, and for protection of the building from rainwater eaves with lightweight construction and covered with transparent acrylic sheets were built.
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Plaoshnik - archaeological complex



The site Plaoshnik is located in the southern foot of the higher (western) hill of Ohrid, on a flattened plateau between the citadel of Samuel's fortress and church of St. John Theologian at Kaneo on the coast of Lake Ohrid. Plaoshnik is exceptional archaeological complex with cultural layers from prehistory, antiquity and the Middle Ages.


The first archaeological interventions Plaoshnik occurred in the period from October 1942 to May 1943 (with interruptions), at the space inside the remains of Sultan Mehmed mosque, organized by the Department of Antiquities in Ohrid headed by its manager Kiril Prlichev and then and Dimche Koco. Thus they discovered the remains of the old St. Clement's church and the tomb of St. Clement of Ohrid. The overall results of these excavations were published by the professor Dimche Koco in 1948. At the time from 1960-1964-1966 of the archaeological excavations on Imaret (Plaoshnik) have been performed again, while simultaneously revealing the polyconchl Early Christian church from the 5th-6th century, and in August-September 1965 the State Institute for Protection of Monuments of Culture-Skopje performs archaeological and conservation research in the area of St. Clement's church "St. Panteleimon" after which conservation work wereperformed.


Major operations were carried out at the time of 1999-2002 when revisional archaeological excavations were performed inside the St. Clement's church and around it with fully disclosed and defined building stages and a monumental three-aisled early Christian basilica with narthex, atrium, baptistery, auxiliary premises and wide yards in the eastern part of the complex was fully discovered.


Many marble columns with bases and capitals were discovered in the spacious atrium on the north side of the building, and the narthex and the northern aisle of the Basilica have preserved mosaic floors in several stages. However, the most representative of this basilica is certainly its monumental baptistery located south of its apse with an extraordinary preserved mosaic floor.


It has a rectangular shape in the middle of which is a circular pscine (pool where the baptism was performed) with a staircase on the east side that went down into the pool. Mosaic decoration of its floor consists of geometric ornaments and symbolic floral and zoomorphic images. There are stylized depictions of vines with grapes, leaves, flowers and pretty realistic represented domestic and wild animals and birds such as lamb, lion, peacock, cock, marsh birds. In the circular fields on the frieze on the floor, formed by two intertwined ribbons, among other presentations, there are also various forms of crosses among them and the swastika.


All activities at the site were undertaken within the project "Restoration of St. Clement's Church St. Panteleimon at Plaoshnik in Ohrid on the occasion of the anniversary "2000 years of Christianity in Macedonia and the world", proposed and implemented by the competent institution, NI Institute for Protection of Monuments of Culture and Museum-Ohrid, supported and funded by the Government of the Republic of Macedonia, the Macedonian Orthodox Church and the entire Macedonian nation.


The restoration was carried out on the foundations of the old St. Clement's church and the foundation of its extensions, and after prior removal of the remains of Sultan Mehmed mosque in which interior were still the remnants of the church and the tomb of St. Cleiment of Ohrid. At the base parts of the Islamic sacred object are shown as a testimony to its existence and testimony to a historical time in this area. Parallely, a protective roof structure over the polyconchal Early Christian church was built and conservation of the mosaic floor surfaces of the baptistery of the same sacral building was carried out. All activities of the project were completed with a large People's Council and the liturgical procession for the transfer of the relics of St. Clement of Ohrid from the second cathedral church in Ohrid, Holy Virgin Peribleptos at Deboj, to the old church of St. Clement, St. Panteleimon and to the tomb of St. Clement at Plaoshnik, as well as the consecration of the restored church on August 11, 2002.


The archaeological research, conservation and restoration work continued to a lesser extent in the time between 2003 and 2006, during which some areas west of the narthex of the monumental three-aisled basilica and the spaces under the mosaic floors of the narthex and baptistery of the same early Christian building were explored. During this time the conservation works on the mosaic floor of the baptistery we were fully completed by placing them on new substrates.


The latest systematic archaeological excavations were carried out from March to December 2007 and in 2008 began the realization of the second phase of the project "Plaoshnik" i.e. the restoration of St. Clement's University at Plaoshnik in Ohrid.
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Tsar Samuel's Fortress



Ohrid fortress, the symbol of the city without which its urban physiognomy and history can not be imagined is one of the largest medieval fortification constructions in Macedonia. With its ramparts and fortified towers the fortress occupies the entire Ohrid hill which rises to 100 meters above the level of the lake. From all sides, with the exception of the southern, which is facing the lake, the city is being protected by high walls and defensive towers in the length of about three kilometers which is spreading all up to the Ohrid port. The height of the ramparts vary from 3 to 16 meters, depending on the configuration and accessibility of the terrain.


In the oldest sources, as Polybius, in which for the first time is mentioned the antique name of the Ohrid Lake, it is pointed that in the first military action in this region, the Macedonian king Philip II made a determination to build a fortification on the hill above the lake.


The oldest historical data on the city Lychnidos (the antique name of Ohrid) and the fortress itself, dates from antique historian Livy from 209 BC, where it is said that the fortress was built and functioned in all the crucial moments of the history of the city. The chronicler Malchus (Malala) noted in 478 that such the fortified city had strong defensive power because of which the Ostrogoth king Theodoric the Amalian, in its military march toward the New Epirus did not succeeded to conquer Lychnidos "Because the city layed on an fortified stronghold and abounded with springs within the walls."


The remains of that oldest fortress are confirmed by the archaeological excavations that uncovered stone blocks, placed on the internal and outer sides near the northern ramparts at today's Citadel, in the direction southeast-northwest.


Throughout history the fortress has been destroyed many times, rebuilt and upgraded, so that it bears marks from almost all the historical epochs when Ohrid ruled by the Romans, Byzantines, Slavs and Ottoman Turks. However, it is believed that most of the walls of the Citadel and suburban area, alongr with the preserved towers date from the time of the emperor Samuel, from 976 to 1014, and then, from the time of his successors until 1018, when Ohrid was the capitals of the first state of the Macedonian Slavs, because of what today the fortress is known as the fortress "Samuel's Stronghold".


After the full collapse of the empire and falling again under Byzantine rule, emperor Basil II fully destroyed the fortress. Later, probably Byzantine emperor Alexios I Komnenos restored it again, and also in the second half of the 14th century, at the time of the reign of the Great Prefect Andrea Gropa in Ohrid County, between 1371 and 1385, the Citadel was restored again.


After the Turkish conquer of Ohrid, the fortress housed military crew, but it didn't represent any more a facility where important events for the history of the city took place.


Besides the basic function of defense against enemies, the fortress also served as residence. Its central part or Citadel is divided with a wall in two parts of which in the first lived the emperor, and in the other one the soldiers were accommodated. From the outer side, the wall of this space is strengthened with a row of towers, of which the largest and the strongest one is located at the weakest point of the fortress, and the main entrance to the Citadel which is strengthened with two semicircular defensive towers is magnificent.


The second part of the fortress consists of a broad protective wall around the suburban area where courtiers lived with their families.


The town had three main gates: the Upper Gate, adjacent to the church of the Virgin Peribleptos and the ancient theater, the Front Gate, at the present church of the Virgin Chelnica and the Lower Gate, located about fifty meters from the shore of the lake, near the church of St. Nicholas Bolnichki. Only the Upper Gate in which as a building material marble tombstones with Greek and Roman inscriptions and other elements derived from ancient buildings in the city is used, has been fully preserved.


The historic role of Samuel's Fortress ends with the outlaw central Ottoman rule Dzeladin-Bey, who as an independent feudal lord ruled Ohrid in late 18th and the first decades of the 19th century.


He was the last who carried out major interventions on the ramparts of the citadel and that used it for defense and living. In the southern part of the citadel, in 1808 he built his palace, known as the Upper Palace. This palace, for which construction was used almost all the building material from the demolished Palace of Ismail Pasha, that was built with the adaptation of the palace of the Ohrid Archbishopric that was located south of the Cathedral of St. Sophia, in the area of today's Saraishte, was demolished after the escape of Dzeladin-Bey from Ohrid in 1830.


Ever since Samuel's fortress nearly two centuries was left to the ravages of time until 2000 when the large research, both with conservation and restoration works started. Then systematic archaeological excavations of the entire area of the citadel have been conducted and the walls and towers of its central part were repaired, preserved and restored.
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Source: Vikipedia...
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Antique Theater



Antique Theater is located at the foot of the eastern slope of the higher Ohrid hill, under Samuel's Fortress, near one of the main entrances to the fortified city-the Upper Gate, from where one captures the unforgettable view of the lake and the mountains that surround it.


It was built more than two millennia, sometime at the end of 3rd or the beginning of 2nd century during the late Hellenism and was intended for plays, musical and poetry performances for the lovers of theater art.


It was built the according to the look of the famous Greek stone buildings of this kind, with rich architectural decoration, especially on the theater building which was decorated with a frieze of bas-relief tablets with carved scenes from the life of the gods. Two such marble slabs, which are today kept in the Ohrid Museum, present the god Dionysus in the company of the Muses.


Some of the contemporary urban notables had prepaid their own seats in the theater and so today we learn about Crispus and Topos as big fans of the theater art because their names still stand carved in stone blocks of the seats. Immediately after the Roman conquest of this region in 148 BC, the theater, probably in a remarkably short time, was adapted to the needs of the Roman way of life. The building was transformed into a theater space with arena for gladiatorial fights and fights with wild beasts for which few of the lower rows of seats were demolished and in their place were built several cages for animals, and the orchestra and honorary seats were surrounded by a protective wall. Later in the upper, outer zone was built epiteatron and the capacity of the theater rose to 5.000 spectators.


It is thought that with the euphoria that occurred at the beginning of the 4th century AD, when St. Erasmus from Antioch, the first Christian missionary arrived in Ohrid, converted to Christianity 25,000 people, all pagan buildings in the city were destroyed. Most probably in these demolitions suffered and the theater, while the material of its seats and other objects later was used for building early Christian basilicas and many other sacred and profane objects.


The first assumptions that in ancient Lychnidos (today Ohrid) existed theater, gave Russian art historian Nikodim P. Kondakov at the beginning of 20th century, and already in 1935, when the first archaeological excavations have been performed, those assumptions were confirmed and the theater was partly uncovered. Later, during the excavations carried out in the period 1959-1960, was determined the exact location and size of the theater.


The systematic excavations, started in 1977 and after a lapse of six years continued in 1984, discovered the locations of the entrances and the theater building, the orchestra with the honorary seats and the arena and nine rows of seats were uncovered.


During 1999, the project for its full uncovering and revitalization and since 2001, after twenty centuries, theatrical, musical performances and various other events are performed on the stage of the reconstructed open space of the ancient theater.
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Church St. Sophia



A cathedral church St. Sophia in the old part of the city of Ohrid is dedicated to Christ as Divine Wisdom. This church is one of the most important landmarks in Macedonia with its medieval architecture and frescoes.


This is one of the largest medieval churches in the area. For a long time it was the cathedral church of the Ohrid Archbishopric, which extended its ecclesiastical authority to the territory north of the Danube, to the Albanian coast to the west and to the Gulf of Thessaloniki to the east.


In addition to its importance as a landmark, the interior of the church and its courtyard and colonnade are an important place for cultural events such as concerts and plays.


In the second half of the 15th century, the church was converted into a mosque and then major changes were made. All the frescoes were covered with lime, the church dome was whitewashed and flattened, while the old altar marble partition with plastic decoration was removed, and from the marble in the nave to the southwest a mimbar was erected, and above the northwestern cubes 1 minaret was erected. ]


In the middle of the 19th century, the prominent Russian Slavist Viktor Grigorovich stayed in Ohrid. An epochal discovery of the Slavist Viktor Grigorovich was the discovery of the manuscripts of the "Extensive Life" for St. Kliment Ohridski from the Ohrid Archbishop Theophylact from the XII century and the Short Biography of St. Clement of Ohrid by Archbishop Dimitrij Homatijan from the 13th century in the Ohrid church of St. Mother of God Peribleptos.


During 1912. was used as a weapons depot.


mmediately after World War II, measures were taken to preserve this monument from further collapse. In 1949, the frescoes, which had been whitewashed by the Ottomans, began to be cleaned. At the same time, they were copied for the exhibition "Medieval Art of the Peoples of Yugoslavia", which took place at the Chajo Palace in Paris.


During the systematic work conducted by the experts of the Institute for the Protection of Cultural Monuments of Macedonia, which began in 1951 and ended after six years, all the frescoes and the same protected from further collapse were discovered. They were removed from the south wall according to the latest conservation methods used in Italy.


With the help of special rams they were brought back to their places. This removal of the frescoes was necessary so as not to damage the return of the south wall, which was tilted 60 cm, so that there was a danger of its collapse. The return of the wall was done in 1953 in the most modern way.


The frescoes were cleaned and preserved, and architectural work was carried out. The frescoes of this church were of top achievement in medieval painting in Macedonia and beyond. That is the time when Ohrid was under the direct rule of the Constantinople Patriarchate. These are the most important preserved parts of Byzantine monumental painting. The painter of the fresco, Archbishop Leo, one of the most educated people of the time, directly influenced the choice of compositions painted in the 11th century.


The interior of the church is preserved with its frescoes from the 11th, 12th and 13th centuries, which represent the peak of Byzantine fresco painting in its time. The main part of the church was built in the 11th century, while the external renovations were built by order of Archbishop Gregory I in the 14th century.
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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Source: NI INSTITUTE FOR PROTECTION OF MONUMENTS OF CULTURE AND MUSEUM - OHRID
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OHRID


The largest tourist center - after the capital Skopje.
Due to the large number of churches and monasteries, the city is known as the European Jerusalem.
Its ancient Roman name is Lychnidos.
The Ohrid region is a UNESCO World Heritage Site.
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Old Part of OHRID


From here you can see the largest church of St. Sophia, and many other smaller churches, ancient theater, Dolni Saraj, and on the top is the fortress of Tsar Samuel.
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Plaoshnik - archaeological complex



The site Plaoshnik is located in the southern foot of the higher (western) hill of Ohrid, on a flattened plateau between the citadel of Samuel's fortress and church of St. John Theologian at Kaneo on the coast of Lake Ohrid. Plaoshnik is exceptional archaeological complex with cultural layers from prehistory, antiquity and the Middle Ages.


The first archaeological interventions Plaoshnik occurred in the period from October 1942 to May 1943 (with interruptions), at the space inside the remains of Sultan Mehmed mosque, organized by the Department of Antiquities in Ohrid headed by its manager Kiril Prlichev and then and Dimche Koco. Thus they discovered the remains of the old St. Clement's church and the tomb of St. Clement of Ohrid. The overall results of these excavations were published by the professor Dimche Koco in 1948. At the time from 1960-1964-1966 of the archaeological excavations on Imaret (Plaoshnik) have been performed again, while simultaneously revealing the polyconchl Early Christian church from the 5th-6th century, and in August-September 1965 the State Institute for Protection of Monuments of Culture-Skopje performs archaeological and conservation research in the area of St. Clement's church "St. Panteleimon" after which conservation work wereperformed.


Major operations were carried out at the time of 1999-2002 when revisional archaeological excavations were performed inside the St. Clement's church and around it with fully disclosed and defined building stages and a monumental three-aisled early Christian basilica with narthex, atrium, baptistery, auxiliary premises and wide yards in the eastern part of the complex was fully discovered.


Many marble columns with bases and capitals were discovered in the spacious atrium on the north side of the building, and the narthex and the northern aisle of the Basilica have preserved mosaic floors in several stages. However, the most representative of this basilica is certainly its monumental baptistery located south of its apse with an extraordinary preserved mosaic floor.


It has a rectangular shape in the middle of which is a circular pscine (pool where the baptism was performed) with a staircase on the east side that went down into the pool. Mosaic decoration of its floor consists of geometric ornaments and symbolic floral and zoomorphic images. There are stylized depictions of vines with grapes, leaves, flowers and pretty realistic represented domestic and wild animals and birds such as lamb, lion, peacock, cock, marsh birds. In the circular fields on the frieze on the floor, formed by two intertwined ribbons, among other presentations, there are also various forms of crosses among them and the swastika.


All activities at the site were undertaken within the project "Restoration of St. Clement's Church St. Panteleimon at Plaoshnik in Ohrid on the occasion of the anniversary "2000 years of Christianity in Macedonia and the world", proposed and implemented by the competent institution, NI Institute for Protection of Monuments of Culture and Museum-Ohrid, supported and funded by the Government of the Republic of Macedonia, the Macedonian Orthodox Church and the entire Macedonian nation.


The restoration was carried out on the foundations of the old St. Clement's church and the foundation of its extensions, and after prior removal of the remains of Sultan Mehmed mosque in which interior were still the remnants of the church and the tomb of St. Cleiment of Ohrid. At the base parts of the Islamic sacred object are shown as a testimony to its existence and testimony to a historical time in this area. Parallely, a protective roof structure over the polyconchal Early Christian church was built and conservation of the mosaic floor surfaces of the baptistery of the same sacral building was carried out. All activities of the project were completed with a large People's Council and the liturgical procession for the transfer of the relics of St. Clement of Ohrid from the second cathedral church in Ohrid, Holy Virgin Peribleptos at Deboj, to the old church of St. Clement, St. Panteleimon and to the tomb of St. Clement at Plaoshnik, as well as the consecration of the restored church on August 11, 2002.


The archaeological research, conservation and restoration work continued to a lesser extent in the time between 2003 and 2006, during which some areas west of the narthex of the monumental three-aisled basilica and the spaces under the mosaic floors of the narthex and baptistery of the same early Christian building were explored. During this time the conservation works on the mosaic floor of the baptistery we were fully completed by placing them on new substrates.


The latest systematic archaeological excavations were carried out from March to December 2007 and in 2008 began the realization of the second phase of the project "Plaoshnik" i.e. the restoration of St. Clement's University at Plaoshnik in Ohrid.
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Tsar Samuel's Fortress



Ohrid fortress, the symbol of the city without which its urban physiognomy and history can not be imagined is one of the largest medieval fortification constructions in Macedonia. With its ramparts and fortified towers the fortress occupies the entire Ohrid hill which rises to 100 meters above the level of the lake. From all sides, with the exception of the southern, which is facing the lake, the city is being protected by high walls and defensive towers in the length of about three kilometers which is spreading all up to the Ohrid port. The height of the ramparts vary from 3 to 16 meters, depending on the configuration and accessibility of the terrain.


In the oldest sources, as Polybius, in which for the first time is mentioned the antique name of the Ohrid Lake, it is pointed that in the first military action in this region, the Macedonian king Philip II made a determination to build a fortification on the hill above the lake.


The oldest historical data on the city Lychnidos (the antique name of Ohrid) and the fortress itself, dates from antique historian Livy from 209 BC, where it is said that the fortress was built and functioned in all the crucial moments of the history of the city. The chronicler Malchus (Malala) noted in 478 that such the fortified city had strong defensive power because of which the Ostrogoth king Theodoric the Amalian, in its military march toward the New Epirus did not succeeded to conquer Lychnidos "Because the city layed on an fortified stronghold and abounded with springs within the walls."


The remains of that oldest fortress are confirmed by the archaeological excavations that uncovered stone blocks, placed on the internal and outer sides near the northern ramparts at today's Citadel, in the direction southeast-northwest.


Throughout history the fortress has been destroyed many times, rebuilt and upgraded, so that it bears marks from almost all the historical epochs when Ohrid ruled by the Romans, Byzantines, Slavs and Ottoman Turks. However, it is believed that most of the walls of the Citadel and suburban area, alongr with the preserved towers date from the time of the emperor Samuel, from 976 to 1014, and then, from the time of his successors until 1018, when Ohrid was the capitals of the first state of the Macedonian Slavs, because of what today the fortress is known as the fortress "Samuel's Stronghold".


After the full collapse of the empire and falling again under Byzantine rule, emperor Basil II fully destroyed the fortress. Later, probably Byzantine emperor Alexios I Komnenos restored it again, and also in the second half of the 14th century, at the time of the reign of the Great Prefect Andrea Gropa in Ohrid County, between 1371 and 1385, the Citadel was restored again.


After the Turkish conquer of Ohrid, the fortress housed military crew, but it didn't represent any more a facility where important events for the history of the city took place.


Besides the basic function of defense against enemies, the fortress also served as residence. Its central part or Citadel is divided with a wall in two parts of which in the first lived the emperor, and in the other one the soldiers were accommodated. From the outer side, the wall of this space is strengthened with a row of towers, of which the largest and the strongest one is located at the weakest point of the fortress, and the main entrance to the Citadel which is strengthened with two semicircular defensive towers is magnificent.


The second part of the fortress consists of a broad protective wall around the suburban area where courtiers lived with their families.


The town had three main gates: the Upper Gate, adjacent to the church of the Virgin Peribleptos and the ancient theater, the Front Gate, at the present church of the Virgin Chelnica and the Lower Gate, located about fifty meters from the shore of the lake, near the church of St. Nicholas Bolnichki. Only the Upper Gate in which as a building material marble tombstones with Greek and Roman inscriptions and other elements derived from ancient buildings in the city is used, has been fully preserved.


The historic role of Samuel's Fortress ends with the outlaw central Ottoman rule Dzeladin-Bey, who as an independent feudal lord ruled Ohrid in late 18th and the first decades of the 19th century.


He was the last who carried out major interventions on the ramparts of the citadel and that used it for defense and living. In the southern part of the citadel, in 1808 he built his palace, known as the Upper Palace. This palace, for which construction was used almost all the building material from the demolished Palace of Ismail Pasha, that was built with the adaptation of the palace of the Ohrid Archbishopric that was located south of the Cathedral of St. Sophia, in the area of today's Saraishte, was demolished after the escape of Dzeladin-Bey from Ohrid in 1830.


Ever since Samuel's fortress nearly two centuries was left to the ravages of time until 2000 when the large research, both with conservation and restoration works started. Then systematic archaeological excavations of the entire area of the citadel have been conducted and the walls and towers of its central part were repaired, preserved and restored.
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Early Christian basilica at the site "Manchevci"



The site "Manchevci" was partially explored during 2007 when two objects were removed. After the archaeological excavations at this archaeological site in the old urban core of Ohrid, an Early Christian basilica was discovered , more precisely parts of northern and central nave when about 200 m2 were explored. The site is located near the Cathedral of St. Sophia, on the direction to the ancient theater, in a densely populated part of the old city and probably extends under the surrounding houses.


The basilica, which is one of the nine basilicas in the city and originates from the 4th-5th century BC, has a pretty preserved floor mosaic with a decorative arrangement that was characteristic for the 4th and 5th century. Particularly significant stands the mosaics field with a donor's inscription that mentions Thomas and John, who probably built the facility. There were also discovered fragments of frescoes in the lower sections of the walls. During the archaeological excavations very significant elements and fragments of the marble architectonic and decorative sculpture were revealed.


The project for conservation and presentation of the discovered structures of the basilica at the site have continued several years in row, and the realization of the planned activities were conducted by NI Institute for Protection of Monuments of Culture and Museum-Ohrid. In the period from 2011 to 2013 protection from land sliding of the ground profiles with construction of retaining walls and their cladding with stone was made.


The maximum restoration interventions were performed within the design solutions, by performing anastylosis of the columns and partial reconstruction of some elements of the carrying construction for which we had reliable data. Authentic materials, taking into account the opus of the masonry were used for the conservation.


Simultaneously the preserved structures of the basilica were consolidated, and for protection of the building from rainwater eaves with lightweight construction and covered with transparent acrylic sheets were built.
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Early Christian basilica at the site "Manchevci"


The basilica, which is one of the nine basilicas in the city and originates from the 4th-5th century BC, has a pretty preserved floor mosaic with a decorative arrangement that was characteristic for the 4th and 5th century. Particularly significant stands the mosaics field with a donor's inscription that mentions Thomas and John, who probably built the facility.
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Fortress of Tsar Samuel


With its ramparts and fortified towers the fortress occupies the entire Ohrid hill which rises to 100 meters above the level of the lake.
Throughout history, the fortress has been destroyed many times, rebuilt and upgraded, throughout all historical epochs - Romans, Byzantines, Slavs and Ottoman Turks.
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This is a 360° Virtual tour guide of North Macedonian tourist places: cities, villages, ski resorts, hotels, museums, monuments, rivers, canyons, beautiful nature and more … with a lot text informations, photos and videos…


This project is not funded by the Government of R. North Macedonia.
If you want to support this Project to grow, please contact me.


Phone: +389 70 338747
E-mail: info@macedoniafromabove.mk


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Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com




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LOREM IPSUM
DOLOR SIT AMET
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LOREM IPSUM
DOLOR SIT AMET
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OHRID
Jerusalem of the Balkans




Ohrid is a city on the hilly shores of Lake Ohrid in the southwest of the Republic of North Macedonia. In the city’s compact old town, medieval churches, monasteries and open-air ruins stand alongside traditional houses with red-tiled roofs. The massive walls of the centuries-old Samoil’s Fortress, at the top of the hill, dominate the city skyline.


It is the largest city on Lake Ohrid and the eighth-largest city in the country, with over 42,000 inhabitants as of 2002. Ohrid once had 365 churches, one for each day of the year, and has been referred to as a "Jerusalem of the Balkans". The city is rich in picturesque houses and monuments, and tourism is predominant.


Ohrid and Lake Ohrid were accepted as Cultural and Natural World Heritage Sites by UNESCO. Ohrid is one of only 28 sites that are part of UNESCO's World Heritage that are Cultural as well as Natural sites.
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JOHN DOE
Licensed Real Estate Salesperson


Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com




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Saint Naum of Ohrid





Saint Naum, also known as Naum of Ohrid (c. 830 – December 23, 910) was a medieval writer, enlightener, and missionary among the Slavs. He was among the disciples of Saints Cyril and Methodius and is associated with the creation of the Glagolitic and Cyrillic script.


Naum was among the founders of the Pliska Literary School. Afterwards Naum worked at the Ohrid Literary School.
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Saint Naum of Ohrid



Saint Naum, also known as Naum of Ohrid (c. 830 – December 23, 910) was a medieval writer, enlightener, and missionary among the Slavs. He was among the disciples of Saints Cyril and Methodius and is associated with the creation of the Glagolitic and Cyrillic script.


Naum was among the founders of the Pliska Literary School. Afterwards Naum worked at the Ohrid Literary School.
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Company Name
www.loremipsum.com
info@loremipsum.com
Tlf.: +11 111 111 111
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Saint Clement of Ohrid



Saint Clement of Ohrid - was one of the first Medieval scholar, writer and enlightener of the Slavs. He is the most prominent disciples of Saints Cyril and Methodius and is often associated with the creation of the Glagolitic and Cyrillic scripts, especially their popularisation among Christianised Slavs.


He was the founder of the Ohrid Literary School and is regarded as a patron of education and language by some Slavic people.


Saint Clement is also the patron saint of North Macedonia, the city of Ohrid and the Macedonian Orthodox Church.
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Saint Clement of Ohrid



Saint Clement of Ohrid - was one of the first Medieval scholar, writer and enlightener of the Slavs. He is the most prominent disciples of Saints Cyril and Methodius and is often associated with the creation of the Glagolitic and Cyrillic scripts, especially their popularisation among Christianised Slavs.


He was the founder of the Ohrid Literary School and is regarded as a patron of education and language by some Slavic people.


Saint Clement is also the patron saint of North Macedonia, the city of Ohrid and the Macedonian Orthodox Church.
HTMLText_5DD69F6C_E59D_8F8B_41C1_CCD8A5C66817_mobile.html =
_______
OHRID
Jerusalem of the Balkans




Ohrid is a city on the hilly shores of Lake Ohrid in the southwest of the Republic of North Macedonia. In the city’s compact old town, medieval churches, monasteries and open-air ruins stand alongside traditional houses with red-tiled roofs. The massive walls of the centuries-old Samoil’s Fortress, at the top of the hill, dominate the city skyline.


It is the largest city on Lake Ohrid and the eighth-largest city in the country, with over 42,000 inhabitants as of 2002. Ohrid once had 365 churches, one for each day of the year, and has been referred to as a "Jerusalem of the Balkans". The city is rich in picturesque houses and monuments, and tourism is predominant.


Ohrid and Lake Ohrid were accepted as Cultural and Natural World Heritage Sites by UNESCO. Ohrid is one of only 28 sites that are part of UNESCO's World Heritage that are Cultural as well as Natural sites.
HTMLText_CF4D552A_E8FF_6FA7_41CC_86F2A4F0F38F_mobile.html =
Company Name
www.loremipsum.com
info@loremipsum.com
Tlf.: +11 111 111 111
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"Macedonia from above" PROJECT


This is a 360° Virtual tour guide of North Macedonian tourist places: cities, villages, ski resorts, hotels, museums, monuments, rivers, canyons, beautiful nature and more … with a lot text informations, photos and videos…


This project is not funded by the Government of R. North Macedonia.
If you want to support this Project to grow, please contact me.


Phone: +389 70 338747
E-mail: info@macedoniafromabove.mk
### Tooltip Image_BE292E61_A669_01A2_41DD_46CFB0C527B6_mobile.toolTip = English IconButton_EB2BD892_F25F_1942_41E3_0E929B61DEF1.toolTip = Fullscreen IconButton_EAC80D12_F22D_7B43_41D4_5C727C62C60C.toolTip = Fullscreen IconButton_93F5FF70_8F2C_F465_41B5_97DE3616D0C6_mobile.toolTip = Info Text IconButton_C3DD83DA_E8EB_6AE4_41E6_9F582821554B.toolTip = Info Text IconButton_C3DD83DA_E8EB_6AE4_41E6_9F582821554B_mobile.toolTip = Info Text IconButton_C7FEF729_D0CD_B3FB_41E3_CA47217D51F6.toolTip = Info Text IconButton_4F8B344B_7C82_96FD_41A9_10385E791D30_mobile.toolTip = Like on \ Facebook IconButton_C79BED02_D0CE_B7AE_41D4_225CA3CF1638.toolTip = Location IconButton_BC94DAA7_A871_8605_41DE_29B5EB335F61.toolTip = Location IconButton_C34DEA11_E8EB_A565_41E5_9C7A36843688.toolTip = Location IconButton_92158F3A_8F2C_F5E5_41A2_C49F0E8747B9_mobile.toolTip = Lokation on Google Maps IconButton_C34DEA11_E8EB_A565_41E5_9C7A36843688_mobile.toolTip = Lokation on Google Maps IconButton_93DF5C93_8F2D_B4AB_41D1_499DD2E2C95A_mobile.toolTip = Photo Album IconButton_C32DBC4B_E8EC_FDE4_41E4_97FDFB89EA25_mobile.toolTip = Photo Album IconButton_EB40EA7B_F225_19C2_41E3_C727585C3E28.toolTip = Share on Facebook IconButton_EA19EEE5_F225_16C6_41E4_A8A13A459E3D.toolTip = Share on Twitter IconButton_EA9A9745_F263_37C0_41DA_2F788CD0A31D.toolTip = Share on Twitter IconButton_EA77CF50_F267_37DE_41CF_8FB022A2046F.toolTip = Share this Panorama on Facebook IconButton_EA02AB84_F265_1F46_41EA_5B97096E540D.toolTip = Sound On/Off IconButton_B8659F21_AA2E_A3DB_41E3_0073471D1488.toolTip = Useful Information Image_BEC4EAD9_A669_06E2_41E3_F5928DB9CB09.toolTip = na македонски Image_BE292E61_A669_01A2_41DD_46CFB0C527B6.toolTip = on English Image_BEC4EAD9_A669_06E2_41E3_F5928DB9CB09_mobile.toolTip = македонски јазик ## Tour ### Description tour.description = Explore Ohrid in 360°: Kaneo, St. Sofia, St. Naum, Ancient theatre, Old Town, Plaoshnik ### Title tour.name = Ohrid / Охрид - Macedonia / 360 VR tour